Sunday, December 30, 2012

In Response To My Absence Re: Time Travel

Dear James

I suppose I have to be honest: This isn't a script for my Podcast Play. There are no characters, no setting, little to no dialogue. No thorough description of action or surroundings. It has the barest minimum for a fictional narrative (if it wasn't a true story) and is written in such a rush that I don't have time to proof-read.

No, this is an explanation of why I couldn't write you the perfect Podcast Play in time. It is a perfectly simple explanation that seems complicated if not well-explained, which is becoming difficult since I'm forgetting it as I write this. I suppose I should start at the beginning.

The story, for want of a better word, begins on Monday January 23rd 2013, the deadline you gave me for submitting my script.

I was taking a stroll in the park, checking my phone for any messages from Manic Expression and desperately trying to think up an idea for a script, when the strangest email was sent to me. It was sent from one of my many dummy accounts, a one that only I knew existed. Attached to it was a very strange message:

Dear Ratin8tor (it read)

It is of vital importance that you leave the class right now and go home. Waiting for you will be something that you have been wanting to give yourself for a very, very long time. If you do not believe the sincerity of this claim, then perhaps you'll believe the sender.

Beneath was a hand-written note revealing various secrets about myself that I do not wish to share, proving that this person not only knew me, but was able to copy the unreadable scrawl that is my handwriting perfectly.

Naturally this worried me deeply, so I rushed home to see what vile disaster lay in my future. What I found came not only out of left field, but a different ball park, nay a different game based on balls entirely.

For sitting in my room, as plain as the words on this piece of paper, was a time machine.

The hand-written note attached to it explained how my future self had sent it to me, using various code words that would be rendered pointless if I told you them. Nevertheless it proved, with no uncertainty, that this was really a time machine sent by my future self. It even noted how I would travel one minute into the future to test this claim, to stop me being totally sceptical.

One minute later I was reading the second note that had been placed on my desk while I was travelling into the future. It explained in detail how I was to build this time machine, how long it was going to take; and how it must be built at my parents bach so I don't accidentally bump into myself. The time machine in my room must be left here for obvious reasons. It also said that it would become clear what I was meant to do next once the machine was built.

Following my advice I went to my parents bach, where I spent the next several months building the time machine. The instructions were perfect, written in a way that anyone could understand. In theory you're wondering that if I never left my parents bach, how could I still be helping out Manic Expression? Well there is still much to explain.

At the end of those months it was complete. I knew what to do next. I travelled back to Monday the 23rd of January, arriving at home moments after my past self had departed for his walk in the park. Once in my room I composed the email and wrote up the note to make my past self come back to my house. After that I wrote the first note and attached it to the time machine, before slipping into my sister's room so not to be spotted. I wrote the second note while my past self discovered the time machine, waiting until the exact moment he jumped one minute into the future. During that minute I placed the second note on the desk, before retreating back into hiding.

I twiddled my thumbs as my past self read the note and left the house to drive to my parent's bach. I was thus now left alone in my house with my time machine. There was only one logical thing to do.

I wrote the Podcast Play that was due in on February. Unfortunately I can't remember what it was about. All I knew is that once I wrote it, I happily sent it to you in order to get it made.

But you see, I am a genius. A brilliant idea occurred to me as I handed it in. As quick as a wink I was at Monday the 25th of February, almost a month after I'd first given you the script, to see how brilliant the final product turned out to be.

The result was... less then pleasing. What with me being a rather egotistical young man to have such a lukewarm script was beneath me. But thanks to my time machine I could go back and do it all again.

I quickly hopped back towards Monday the 23rd of January and stopped my past self from writing the Podcast Play that'd only earn him a C+ by my standards. I only had a few hours before my parents got home (I didn't fancy explaining to them why there were two of me), so I didn't have time to waste. While my past self mulled about I got ready to write an A+ story.

Or I would have, if not a later version of myself suddenly burst into the room after materialising in the kitchen. He (or I) explained to me (or himself) that the story I was about to write was only a B- grade script, but fortunately he (I) could use the comments the play got to fix the errors found in my (his) script and get a better overall product.

Yet no sooner had he sat down in front of the computer a version of me from an even later date turned up to explain that the script was only a B-grade story; and needed several improvements to be better. Improvements he himself had picked up after his past self had handed in the script he was about to write.

To cut a (very) long story short, the twentieth version of me sat down to write the script. He (or I) had nineteen failed attempts from which to learn from. At some point we (or I) had slipped into a script so horrendous it made the Room look like Shakespeare; and it'd taken several trips to steer it back onto the right track. But this was it. The twentieth attempt to get the perfect Podcast Play script.

But he (or I, grammar gets confusing when you're talking about multiple versions of yourself existing within the same moment of time several times over), voiced the thought that had been growing in our (or my) head for a while now. A horrible, horrible thought that we'd (or I'd) tried to ignore, but I (or he) couldn't do it. It had to be said.

“Hang on,” said he (or I). “How does this work? If the first time to write this failed; and I used the comments left by others to write a script better then the original and hand that into James instead. Where do the original comments come from then? They are critiquing a Podcast Play whose script was never handed in because the comments about it are for a script that doesn't technically exist, because I'd re-written it before I'd hand it in-”

You could feel as if the universe was breathing in and crossing it's fingers, hoping that he'd (or I'd) shut up before I really put my foot into it...

“Following that,” said he (or I), “where did the plans for the time machine come from? We followed the plans given to us by our future self, who'd had been given to him by his future self, but this ends up in a backwards causation loop where the plans never existed in the first place. Thus if there were no plans how could there be a time mac-”

I awoke on Monday the 23rd of January 2013 with one of the worst headaches I've ever had in my life. It felt like someone had attempted brain surgery with lobster claws and the remains of a badly chewed up car battery. It took all my strength just to sit up and read the clock.

It said that I only had a few hours to get online and email my script to you, a script that hadn't even started to be written. As such all I had time to do was write a very rubbish Podcast Play that should never be made, along with this email saying why I didn't have time to do it. So consider this an explanation as to why my Podcast Play script is not my usual A+ material.

As it turns out, human beings are incredibly self-centred. We assume that when we create a time paradox, the entire universe ends. When in actuality the universe instead bitch-slaps you and takes away your time-travel privileges; and gives you one massive hangover to boot.

It is all I can do to write down as much as I can remember. Already I've forgotten what the time machine looks like or how it works, something I should have mentioned at the beginning in hindsight. Not only that, I can barely remember the exact details of what happened. It's like trying to remember a dream in the middle of the day.

So no, this isn't a script. This is an explanation for why my script isn't up to scratch and is full of holes. It's because I went time-travelling instead.

Yours sincerely
Ratin8tor

Thursday, December 20, 2012

Images

Saturday, December 8, 2012

Logo

Wednesday, November 7, 2012

test


Thursday, October 18, 2012

A Kiwi Reviews: The Wild Thornberrys Episode “Hot Air”

Before we start, watch this episode here (since I'm too lazy to screen cap): http://www.youtube.com/watch?v=x0Pxr-9vgHc

Well even though I think reviewing is as dead as the moa (basically the ostriches badass cousin that will curbstomp you if you piss it off too much), I feel it's my national duty to review The Wild Thornberrys episode “Hot Air”, where they visit lovely old New Zealand.

For those not in the know, The Wild Thornberrys is an old Nickelodeon show about a girl (Eliza) who has the power to talk to animals. Her parents are wildlife documentarists who travel the world. Her older sister Debbie, her adopted wild child brother Dobbie and resident monkey friend Darwin all accompany Eliza on her adventures. With me so far? Well onto the episode.

So it starts off with the usual intro and zoom in onto the map. Now I don't live in Rotorua, but I live about two and a half hours north of it in that skinny little bit near the top. Aka Auckland, the best city in the country (and yet the rest of the country calls us Jafa's aka Just Another @#$^ing Aucklander. Wonder why). We open on sheep (okay I'll give them that, NZ does have more sheep then people), before we see the Thornberrys on their travels. Apparently they're here to film the tuatara.

… The tuatara... Now don't get me wrong, I love the little guy, but...

THE NATIONAL ANIMAL OF NEW ZEALAND IS THE @#$^ING KIWI! IT'S WHAT WE @#$^ING CALL OURSELVES!

Or to put that in more civil terms, when you think New Zealand, you think Kiwi. It's our national animal, the one the appears in all the promotional material, hell it's what we call ourselves (since New Zealanders is a bit of a mouthful when we're kicking arse at the Olympics). Why choose the tuatara (an animal we're so indifferent to we killed it when we took the coin it was on out of circulation, aka the 5c coin, also another reason why NZ is better then the USA). Anyway, the Kiwi is nocturnal, so obviously they didn't want to set it during the night. Lets move on.

After Nigel Thornberry gives a smashing lecture about the tuatara (new drinking game: take a shot every time I say the word “smashing” in this review) Debbie says how the food in her fridge has gone off. Little known fact, but all the food in that fridge is brought in NZ. Because you could not smuggle even a quarter of an apple into this country without the customs descending upon you like a pack of vicious dogs, led by their pack of vicious dogs. You could smuggle Class C, B and A drugs and we wouldn't bat an eyelid, but we will take you down if you try to get a banana past customs.

God not even a minute in and I've already ranted three hundred odd words. This bodes well.

Anyway we have a scene between Eliza and Darwin that doesn't interest me cos it mentions nothing about New Zealand, so it's not fun to make fun of. But yes, Rotorua does indeed stink to high heaven. It's like someone let rip a really good fart. But the Thornberrys are going to a smashing (take a shot) Maori celebration called a hui and wow I may be a white English boy but at least I pronounce the names somewhat correctly (which is why I always get frustrated with Nash when he rhymes Auckland with Orc). All for the sake of a pun.

Anyway Eliza says that Rotorua is full of volcanic activity (bitch please, I live in a city that has over 50 volcanoes and not even half of them are extinct, just dormant. Rotorua got nothing on us) when a geyser they're walking by goes off. Now I don't know where in Rotorua you can get that close to a geyser full of boiling water, but we do have the boiling mud areas where you can take a relaxing mud bath (and you can see where it gets so hot the ground literally melts. It's pretty damn awesome). But no, there aren't any geysers left about in the open like that.

They then enter a traditional Maori village... that I've never seen in Rotorua. Granted this episode does take place a good 15 years ago, but this place never existed. I can think of the Spa they're referencing, but there's no such village like this in Rotorua. They're greeted by a local Maori...

WHOA WHOA WHOA WHOA WHOA WHOA WHOA WHOA WHOA. WHOA! WHOA! WHAT THE @^*# IS UP WITH HIS VOICE. WHY THE @#$^ DOES HE SOUND LIKE A #$%&ING AUSTRALIAN?

For those not in the know, confusing New Zealand with Australia is like confusing the USA with Canada, or England with France, or a well-bred race horse with a retarded mule. We're better than that. We weren't settled by a bunch of convicts.

Anyway they do the traditional greeting (which is accurate, so I can't make fun there) where Debbie bumps into a Maori teenage that is actually voiced by a New Zealander. Then some Maori's dance... @#$@ if I know what that is, I've never seen any of my mates dance like that. Oh, no, the Australian Maori said it was the Kane Kane... Yeah never heard of it, but I'm no expert on Maori culture.

Anyway Eliza wants to go hot air ballooning. It's something she wanted to do all her life. Even though she's in Rotorua and she can go Zorbing (basically you get in a giant inflatable ball and roll down a hill. NZ tends to have simple pleasures that are also totally awesome).

I feel like I should mention, this village they're be in is a tourist trap, since the Maori people don't really live this way. We do have some semblance of civilisation. But enough bitching, how far we got so far?

… 5 minutes? Christ I'm gonna be writing a novel at this rate.

More flirting with Debbie and the Maori dude, they're pretty accurate about how the tradition works, so nothing to make fun of here. Moving on.

Anyway Eliza, apparently walking to the Luge (I'll explain why this is stupid in a moment), sees the Gondola you get in to go up it. Again, this is fairly accurate, save for the fact that we have it inside a building and not just out in the open like that. Once again, we're not that stone-age. But when Eliza says it's the fastest way to get to the balloon rides... yeah no ballooning would happen on top of a mountain near a @#$^ing Gondola with low cables. That's just stupid.

Anyway she sees the beautiful sights of Rotorua...

Okay hold on, I think I need to show you this link: http://www.skyline.co.nz/rotorua/ssr_webcam/ It's a webcam on the top of the mountain she's on. Why do I say this...

BECAUSE ROTORUA ISN'T A LITTLE FOREST AND ONE MAORI VILLAGE BUT A WHOLE @#$^ING TOWN! THERE ARE BUILDINGS AND INFRASTRUCTURE AND OTHER RICH PEOPLE STUFF TOO!

And Eliza would not be close to any geysers cos they're on a totally different area that's not a mountain. But trust me, it gets worst later on.

Anyway Eliza and Darwin fight, ad break, only 14 minutes left by this point. But here it is, the animal of the episode. The one Eliza gets to talk to. And it is...

… A POSSUM! THE ANIMAL YOU'RE USING TO REPRESENT NEW ZEALAND IS A POSSUM! THE ANIMAL WHO'S SUCH A PEST WE ACTIVELY TRY TO KILL THE BLOODY THINGS! AND YOU THINK YOU SHOULD USE THE POSSUM!











Ladies and gentlemen, I'm afraid the regular blogger for this blog has had to be removed due to getting angry. You see the possum, whilst classed as an endangered species in Australia, is such a pest over here we actively try to get rid of it. It has nearly wiped out the Kiwis and other native birds by eating their eggs and you think that that should be the animal to use? The @#$^ing possum. I mean it's nocturnal and you choose it over the Kiwi. The KIWI. THE KIWI. YOU CHOSE THE NATURAL ENEMY OF THE KIWI OVER THE DAMN SYMBOL OF THIS COUNTRY! THE THING WE'RE ACTIVELY TRYING TO KILL!









Once again I apologise ladies and gentlemen, the replacement blogger had himself be replaced due to an onset of anger. Now where were we. Ah yes Batman hands over the BAT CREDIT CARD! I'LL KILL YOU, I'LL KILL YOUR WHOLE FAMILY!







Okay first blogger here, I'm over it now, lets just ignore it. The show makes the possum out to be a bit of a bitch anyway, so it all works out just fine. Anyway the possum shows Eliza a shortcut blah blah blah lets not elaborate on that bit or I might explode again. Least the possum sounds like a proper New Zealander.

More of Debbie flirting, fighting with Donnie, saying she's dancing the Earthquake...

Yeah over the past year and a half Christchurch has been hit by a series of earthquakes that have killed over 70 people and done countless damage. This is pretty harsh in hindsight, so I'm not going to joke about such a tragic event (though I will always marvel at the Kiwi spirit and how we were quick to help each other out).

Meanwhile Eliza and her... thing are walking from the Luge to the hot air ballooning... okay I'm gonna cut to the chase. Go to Google maps and enter these four addresses (since I'm too lazy to screen shot):
A: Hellsgate Geothermal Park and Mud Bath Spa, Hellsgate Geothermal Park and Mud Bath Spa, State Highway 30, Rotorua 3010
B: 185 Fairy Springs Rd, Fairy Springs, Rotorua 3015
C: Agrodome, Western Road, Ngongotaha, Bay Of Plenty
D: Volcanic Air Safaris, Memorial Drive, Ohinemutu

For those too lazy to participate, here's how it has happened thus far:

1)Eliza started off at point A and somehow went 27 km in the space of a few minutes, somehow avoiding all of the city since she ends up in the wildness.
2)She then walks from B to D, which is about another 5 odd km.
Later on in the episode Darwin somehow manages to get from A to B in a hell of a short space in time, whilst Nigel Thornberry and his smashing (take a shot) wife walk about 10 odd km from B to C before coming back.
Why are these people walking so goddamn much?

Anyway speaking of which Nigel and his wife saw 10 emus, a dozen deer, plenty of rabbits... the hell did you go? Emus and deer are not native to New Zealand. They're not a common threat. The only places you'd find emus in the whole of New Zealand is at a farm (funnily enough, located in Rotorua). It's called the Agrodome. Why the smashing (take a shot) hell would they go to the smashing (take a shot) Agrodome when they would smashing (take a shot) know that there'd be no smashing (take a shot) tuataras there. What total smashing (take a shot) idiots. Smashing (go to the doctors, I've just destroyed your liver). But fortunately the Maori dude knows where a private reserve is (that the Thornberrys didn't already know about for some reason... Didn't they bother doing any research?).

Anyway Eliza and her possum friend go to the balloons where, in a surprising twist, the New Zealand balloon operator doesn't try to kill the possum (though he sounds Australian, so it explains a lot). Anyway Eliza somehow manages to accidentally get stuck aboard an out of control hot air balloon (though no ballooner is that irresponsible, but once again he's Australian). But oh no, she's heading towards the Gondola cables...

See, this is why you don't balloon here. You do it where you ain't gonna hit anything.

Anyway Darwin gets in a Gondola and opens the door halfway through the trip, somehow breaking through a rather tightly locked door (okay so there's a release handle, but it's more complex then the one they're showing) and the ride comes to a halt because of how dangerous this is. Just kidding, it goes on as normal because @#$& a door hanging open dangerously like that (which is why the doors actually slide outward rather then open like a car door).

Anyway more screaming, more shouting, turning on the burner to get up higher, more standard stuff.

Meanwhile Nigel Thornberry takes a smashing (hope you hadn't put those glasses away yet) at something that almost, but not quite, looks nothing like a proper tuatara (I don't think they have spikes that big or look that ugly). But yes, they do have a third eye.

Back to Eliza. She turns off the Bunsen burner, so the balloon starts falling. She throws sandbags off to slow down the fall because physics works differently in New Zealand (opposite side of the world and all that).

Back to Debbie and the teenager that turns out to just be acting to be traditional and is totally a normal dude... yeah I'll give them that, it's a good twist. Can't make fun here.

But Eliza and Darwin survive, they say sorry (they're falling pretty slow considering how long their conversation is. Gravity obviously weakens the further south you go). They go down the luge (which is only vaguely related to the normal luge, and does not have water at the end because it's powered by gravity).

Debbie shows off the canoe she carved (how much were they paying to get a whole canoe to carve anyway) before doing a dance over a camp fire... I'm a pasty white boy and even my Haka is more badass than that. What a better way to end it then with a rubbish Haka.

But that's the Wild Thornberry episode “Hot Air”. So how accurate is it? Well there's no city, no civilisation, no real resemblance to NZ and has the wrong animal as the star. All in all not too bad for a show that mostly got things wrong anyway. But the end of this long rant is overdue (as was the review, since this episode is already 10 years old and I bet you feel odd now 90s kids) so I'll just sign off as usual. If you disagree with anything, or have anything to add, feel free to leave a comment. Till next time.